Here is the final variation (or, failing that link, just go here: http://www.freewebs.com/meganmain2/TheRoseQuartet%2DVariation8.mp3). It's the only one I wrote knowing anything about strings, which is why it involves double stops and artificial harmonics while none of my other variations do (and why some notes in my other variations are unplayable). Except, Lilypond typesets harmonics great but doesn't know how to render them in MIDI, so it just sounds like shrill piercingness in my audio file. Try to imagine it. That's all I can do, too, since I don't have a great idea of what harmonics sound like anyway. And, Reason has pretty decent strings samples, but also no harmonics. And no dynamics on the audio, I don't feel like fighting with Reason; Lilypond sapped all my energy. If you don't understand why Lilypond is such a headache, then you should be informed that it's purely programming that bears no resemblance whatsoever to a score; here are 8 measures of 1st Violin:
r2 f8\mf-.^\markup { \italic {pizz.} } r f-. r
f2\downbow\<^\markup { \italic {arco} } ges4\!\f( bes)
c8\downbow( bes) f-.\upbow r ges-.\mf^\markup { \italic {pizz.} } r aes-. r
aes4\f(^\markup { \italic {arco} } ges) f( ees)
ees8( f) aes-. r f-.\mf^\markup { \italic {pizz.} } r f-. r
aes2^\markup { \italic {arco} } f
r4 ges8-.^\markup { \italic {pizz.} } r r4 c8-. r
c-. r bes-. r r4 f8-. r
Now it is time to watch Corner Gas until I run out of episodes.
- The new Chad Vader episode is possibly my favourite one yet. [Edit: my mistake, that's not the newest one; episode 8 is newly out.] Although... you should still watch the first 3. They're awesome. On a related note, episode 6 reminds me of PRIMUS: "I will go ahead and switch your long distance service for you." Ha, actually that whole phone conversation sounds like the one I had with PRIMUS... except they actually did switch mine over. Blasted jerks. They actually told me that it wasn't optional.
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